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Etude des représentations de saint Eloi comme orfèvre, évêque et homme de cour à travers différents supports artistiques : peintures murales, enluminures, vitraux, sculptures, orfèvrerie, enseignes de pèlerins, etc. Elle révèle ainsi le succès de l'image et du culte du saint, aussi bien dans les cultures populaires que dans les milieux aristocratiques.

Iconography --- Eligius of Noyon --- anno 500-1499 --- Art, Medieval --- Christian art and symbolism --- Art médiéval --- Art et symbolisme chrétiens --- Eligius, --- Art --- Cult Pictorial works --- Art médiéval --- Art et symbolisme chrétiens --- Christian art and symbolism. --- Art. --- Cult Pictorial works. --- Iconographie --- Eligius ep. Noviomensis

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Art --- anno 500-1499 --- Art, Medieval. --- Art médiéval --- Barral i Altet, Xavier. --- Art, Medieval --- Architecture, Medieval --- 7.04 "04/14" --- 72 "04/14" --- 7.033 --- 7 <09> --- 091.31 --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--Middeleeuwen --- Architectuur. Bouwkunst--Middeleeuwen --- Kunststijlen van de Middeleeuwen --- Kunstgeschiedenis. Kunsthistorie --- Verluchte handschriften --- 091.31 Verluchte handschriften --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- 7.033 Kunststijlen van de Middeleeuwen --- 7.04 "04/14" Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--Middeleeuwen --- Art médiéval --- Medieval art --- Middle Ages --- Barral i Altet, Xavier

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These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' ( fecit ). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.

Art --- Sociology of the family. Sociology of sexuality --- anno 500-1499 --- Art, Medieval. --- Architecture, Medieval. --- Women artists --- Women art patrons --- Art and society --- Architecture and society --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Art and sociology --- Society and art --- Sociology and art --- Art patrons --- Women benefactors --- Artists, Women --- Women as artists --- Artists --- Middle Ages --- Medieval art --- History --- Social aspects --- Human factors --- Art médiéval --- Architecture médiévale --- Femmes artistes --- Femmes mécènes --- Art et société --- Architecture et société --- Histoire --- Architecture, Medieval --- Art, Medieval